Stonehenge Aqua

Hilboldt Studios Large Scale Charcoal & Oil Paintings

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Introduce yourself! How did you get started as an artist?

{JH} Hi! My name is Julie Hilboldt and I’m a painter/drawer from St. Louis. Growing up, I always had a strong interest in art. My mom would have me making all sorts of projects to challenge me creatively. It was primarily a hobby until I got to college and I started to realize how much I really enjoyed it. After my undergrad I worked for approximately six months in the “real world” before I decided I needed to find a way to make art my career. At that time, I started graduate school for my MFA and I’ve been navigating my way through the art world ever since!

What type of art do you create? What mediums do you work with?

{JH} The majority of my work is representational with moments or marks of abstraction. Typically the subjects are people; the main reason for this is because I went to Fontbonne University for graduate school where there is a strong focus on anatomy and figurative studies. I primarily use traditional mediums like charcoal and oil paint but I’m enjoying experimenting with new materials that can enhance the old ones. 

How do you choose a paper for your piece?

{JH} It may sound strange but I have to feel the paper or any surface I’m about to work with. This is why I love a good art supply store. When going through the options there could be a different size, shade, texture, etc that jumps out to me and makes sense for my project. It’s difficult to have that experience online. 

Charcoal on YUPO

Charcoal on YUPO

Charcoal & Ink on Stonehenge Aqua Hotpress

Charcoal & Ink on Stonehenge Aqua Hotpress

How does using YUPO differ from using Stonehenge Aqua?

{JH} There are so many differences between these two surfaces but I think the biggest is that there’s a permanence of Stonehenge Aqua that YUPO doesn’t have. I typically use the same materials on both-- charcoal and water. On Stonehenge Aqua, I can build up the charcoal and erase/blend it in a predictable fashion. On YUPO, when I erase something it may wipe away completely. I think that lack of control adds an interesting element to a piece. I don’t think any of my drawings on YUPO ended up looking the way I originally intended but instead it evolved into exactly what it needed to be. 

What’s your process like from the sketch to the final piece?

{JH} Chaotic, incredibly chaotic. I’m terrible at planning pieces out and since I use multiple references this can lead to many challenges. I’ve found that if I sketch and prepare too much, I will lose my energy and the artwork won’t become anything special. Instead I think about the piece I want to make for a few days and then I start sketching it out on the paper or canvas. Occasionally I’ll mark out the composition prior to adding the subject but overall I like to see my idea on the actual surface and size it’s intended to be on so I can adjust from there. 

What’s the largest piece you’ve created? 

{JH} I’m fairly certain that the largest artwork I made was a painting for a lifesize figure painting class. Typically these paintings would be 6 ft tall but since I did mine independently it was 61”x81”. I absolutely love working large and I’m hoping that one day I’ll get the chance to make a painting that is at least double that size. 

You do an incredible job filming while creating! Is this an important part of your process?

{JH} Thank you! It started simply as a way of showing people my work, then it became something I enjoyed doing creatively, and now it’s evolved into part of my artistic process. I’ve recently found myself thinking of the video while also thinking of the piece I want to create. Whether I hear a song or just feeling some emotion deeply, I’ll think of how I can translate that into both my work and my filming. I believe finding this balance between the two ends up making for a stronger, more impactful piece. On the other hand, there’s days that I can’t have an interruption and I won’t allow myself to film so I can focus solely on the art. If you ever see a huge jump in the process that wasn’t included in the video, that’s probably what happened!

What’s next for you?

{JH} This year I will be teaching art to both elementary and college students while also working on my own personal practice. It’ll be a busy year but I’m looking forward to it!

Visit Julie Hilboldt’s Website.

Follow Julie Hilboldt on Instagram.

More information on YUPO.

More information on Stonehenge Aqua.

Bev Jozwiak: Putting Miles on the Brush

Behind the Curtain by Bev Jozwiak, 2019, Stonehenge Aqua Hotpress 140lb

Behind the Curtain by Bev Jozwiak, 2019, Stonehenge Aqua Hotpress 140lb

The style Bev Jozwiak is currently working in seems to be the direct result of her own personal journey. Art has been in her life for as long as she can remember. She is the first formally trained artist in her family, but by no means the first artist. Her great aunts, grandmother, aunt and father all painted before her. She graduated with honor from Western Washington University, with a Fine Arts degree and an Art History minor.

Whether painting in Acrylic or watercolor the goal is the same; to create an impressionistic painting with rich varied color, good design, great values, and to create a piece that will last by using archival materials. She never wants the viewer to think her paintings look like photographs, but rather to see the brushwork, and the love and energy that goes into each and every piece.

Jozwiak’s skill as a painter has garnered her national acclaim as one of America’s premier painters. The result of hard work and years of painting has not gone unrewarded. Bev has had a plethora of successful one woman shows for prestigious galleries. She has lost count of how many articles in major art magazines she has had. She is the author of “Painting Life with Life, a 164 page watercolor book, and has her signature status in every major watercolor society, including the American Watercolor Society in New York. Bev believes in keeping original art affordable and accessible to everyone. She does not foresee a time when she would ever quit painting, or become complacent with what she does. She hopes to always study, grow, and continue on this personal artistic journey.

A Hippie Kind of Vibe by Bev Jozwiak on Stonehenge Aqua Hotpress 140lb

A Hippie Kind of Vibe by Bev Jozwiak on Stonehenge Aqua Hotpress 140lb

What paper do you use for your work? what do you like about this paper?

Stonehenge Aqua 140lb. Hotpress is my go to paper. And Occasionally 280 lb. too, which has just a bit more tooth. I have had problems with the sizing on other papers, getting batches that were “pilly” and really hard to paint on. I have not had one bad batch with Stonehenge. It is the just the right amount of slickness.

Why do you choose to work on Hotpress paper instead of coldpress or rough?

Unlike some watercolor painters who paint in thin layers building up to their finished pieces, I use a very direct method of painting. Hotpress is made for this, as the paint lays more on the surface, than with cold or rough papers. It is also very easy to lift out areas of paint, either with a brush for a light touch, or with a magic eraser to really get back to the white of the paper.

What other materials do you use for your paintings?

Palette: Alvin Heritage Palette or John Pike Palette

Paints: (Cheap Joes Art supply is where I get most of my supplies) Online.

Winsor and Newton (unless noted)

  • Yellow Ochre

  • Burnt Sienna

  • Sap Green (Holbein)

  • French Ultra Marine Blue (I have been using Daniel Smith lately, but either work)

  • Cobalt Blue

  • Manganese Blue Hue

  • Permanent Alizarin Crimson

  • Rose Madder Genuine (or Permanent Rose)

  • Cadmium Red (or Joes Red from Cheap Joes)

  • Cadmium Orange

  • Winsor Blue (Red Shade)

    • Winsor Green (Blue Shade).

    • New Gamboge or Joe’s Yellow (Cheap Joe’s American Journey)

    • Janet Rose Violet (Cheap Joe’s American Journey)

    • Aureolin

  • Naples Yellow

  • Yellow Gray (Holbein)

  • Verditer (Holbein)

  • Don Andrews Turquois

Brushes: Cheap Joes Golden Fleece 

  • #10 round

  • 1” Flat

  • #4 round for details

·        *I also use the legend or the dream catcher (from Cheap Joes) when I need a brush that holds a more water. #8 round  is my favorite.

·        Kolinsky DaVinci Maestro #12 (A very good mop brush)

As if on Wings by Bev Jozwiak, 2019, Stonehenge Aqua Hotpress 140lb

As if on Wings by Bev Jozwiak, 2019, Stonehenge Aqua Hotpress 140lb

What is your process like from start to finish?

I am a very fast and direct painter; as a matter of fact I am almost done with my second book, which is called, “Confident brushstrokes”.  While I do have some work that is more layered and “traditional”, my own favorites are the ones with bold confident, purposeful brushstrokes.

Do you have a favorite piece? Why is this your favorite?

It is hard to choose one piece to be a favorite. It is usually a recent piece, and then in a year, I don’t like it at all. I am always growing in my art, and don’t ever want to paint on rote, or get in a rut of painting the exact same thing. I like my crow/raven pieces simply because I love to paint blacks. I add a plethora of colors next to each other, and yet manage to have it still read as the color black.

My ballet pieces are also some of my favorites. My youngest daughter was a professional ballet dancer. I grew to love ballet and all the rituals involved in that art form.

At this very moment my favorite piece is called “Stand Tall”. I was very happy with all the colors in this man’s face. I really wasn’t expecting the painting to turn out, as I was just experimenting with throwing rubbing alcohol at my paper as I was painting. The texture it created was unexpected, and really gave this piece a unique look that I was very pleased with in the end. 

Stand Tall by Bev Jozwiak, 2019, Stonehenge Aqua Hotpress 140lb

Stand Tall by Bev Jozwiak, 2019, Stonehenge Aqua Hotpress 140lb

Ballet Profiles by Bev Jozwiak, 2018, Stonehenge Aqua Hotpress 140lb

Ballet Profiles by Bev Jozwiak, 2018, Stonehenge Aqua Hotpress 140lb

Anything else you’d like to add?

If I could choose to be anything in the world, I would not make another choice. I love to paint. Being an artist is not what I do, it is who I am. Getting to create a thing of beauty, and show the world what I see through my eyes, has been a gift that I am beyond grateful for.

If you have always wanted to be able to paint, what are you waiting for? Start on your journey today. Every day adds a layer of knowledge, brick by brick honing your craft, until you have the skills to say what you want to say. It all starts and ends by putting “miles on the brush”.

Wired by Bev Jozwiak, 2020, Stonehenge Aqua Hotpress 140lb

Wired by Bev Jozwiak, 2020, Stonehenge Aqua Hotpress 140lb

Everyday Watercolor Flowers by Jenna Rainey Sneak Peek!

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Everyday watercolor flowers is A Modern Guide to Painting Blooms, Leaves, and Stems Step by Step by Jenna Rainey.

Artist, Jenna Rainey, shares easy-to-follow ways to paint a wide range of botanicals, all in her fresh, modern style that appeals to the next generation of watercolor artists and creatives, from beginners to hobbyists. With gorgeously illustrated instructions for both loose and realistic watercolor depictions of more than 25 flowers, leaves, and plants, organized by form and shape, Everyday Watercolor Flowers is every nature-lover’s answer to capturing that beauty on paper.

Jenna uses Stonehenge Aqua Coldpress 140lb for all of her watercolor paintings.

Here’s a sneak peek of drawing Cherry Blossoms in Everyday Watercolor Flowers.